DRAMATIC INTERPRETATION
FOR A STREETCAR NAMED DESIRE
SPEECH/DRAMA
 
|   | 0-10 Pts | 11-20 Pts | 21-25 Pts | 
| Accuracy | Lines not written down and/or spoken correctly; Uses less than 12 lines | Lines copied correctly but not spoken correctly; Uses more than 15 lines | Lines copied correctly, no mistakes in speech; Uses precisely 12-15 lines | 
| Appropriateness | Lines chosen randomly or with no respect to personality of the character | Some lines appropriate but some appear to be chosen for reasons other than to reveal personality | Lines clearly reveal personality traits of the character | 
| Justification | Provides no justification for line sequencing or sequencing is inappropriate (e.g., chronological) | Sequencing is appropriate but not creative in approach to speaking (e.g., simply take turns speaking) | Line sequencing reflects thought; Has purpose of eliciting a particular response from the listener; Uses variety of speaking techniques (e.g., simultaneous reading, repetition of lines) | 
| Performance | Not entertaining, no change in inflection or pitch of voice; Uses few or no movements; Does not produce intended response from listeners; One or both do not stay in character throughout; Little or no rehearsal evident | Mildly entertaining but not all lines spoken with variance in pitch and inflection; Uses few movements or uses movements that aren’t linked to the lines; Produces some intended response from listeners; Some rehearsal evident | Very engaging and entertaining for listeners, lines spoken with emotion, varying pitch and inflection appropriately; Movements clearly linked to the lines, uses variety of movements; Intended response is elicited from listeners; Well-rehearsed | 
| Cooperation | Pair didn’t work well together; Didn’t share work; One person does too much preparation or performance | Pair shared work, but simply split it up rather than working on each part together | Pair worked well together and shared work throughout the project |